An introduction to this book is as superfluous as a candle in front of a powerful searchlight. But a convention of publishing seems to require that the candle should be there, and I am proud to be the one to hold it. About ten years ago I picked up from the pile of new books on my desk a copy of Sons and Lovers by a man of whom I had never heard, and I started to race through it with the immoral speed of the professional reviewer. But after a page or two I found myself reading, really reading. Here was—here is—a masterpiece in which every sentence counts, a book packed with significant thought and beautiful, arresting phrases, the work of a remarkable genius whose gifts are more richly various than those of any other young English novelist.
To appreciate the rich variety of Mr. Lawrence we must read his later novels and his volumes of poetry. But Sons and Lovers reveals the range of his power. Here are combined and blended(混合的) sort of ''realism'' and almost lyric(抒情的) imagery and rhythm. The speech of the people is that of daily life and the things that happen to them are normal adventures and accidents; they fall in love, marry, work, fail, succeed, and die. But of their deeper emotions and of the relations of these little human beings to the earth and to the stars, Mr. Lawrence makes something near to poetry and prose(散文) without violating its proper “other harmony.”
Take the marvellous paragraph on next to the last page of Sons and Lovers (Mr. Lawrence depends so little on plot in the ordinary sense of the word that it is perfectly fair to read the end of his book first):
Where was he? One tiny upright speck of flesh, less than an ear of wheat lost in the field. He could not bear it. On every side the immense dark silence seemed pressing him, so tiny a spark, into extinction, and yet, almost nothing, he could not be extinct. Night, in which everything was lost, went reaching out, beyond stars and sun, stars and sun, a few bright grains, went spinning round for terror, and holding each other in embrace, there in the darkness that outpassed them all, and left them tiny and daunted(气馁). So much, and himself, infinitesimal, at the core a nothingness, and yet not nothing.
Such glorious writing lifts the book far above a novel which is merely a story. I beg the reader to attend to every line of it and not to miss a single one of the many sentences that await and surprise you. Some are enthusiastic and impressive, like the paragraph above; others are keen, ''realistic'' observations of things and people. In one of his books Mr. Lawrence makes a character say, or think, that life is ''mixed''. That indicates his philosophy and his method. He blends the accurately literal and trivial(琐碎的) with the extremely poetic.
To find a similar blending of tiny daily detail and wide imaginative vision, we must go back to two older novelists, Hardy and Meredith. I do not mean that Mr. Lawrence derives(源于) immediately from them or, indeed, that he is clearly the disciple(弟子) of any master. I do feel simply that he is of the elder stature(名望) of Hardy and Meredith, and I know of no other young novelist who is quite worthy of their company. When I first tried to express this comparison, this connection, I was contradicted by a fellow-critic, who pointed out that Meredith and Hardy are entirely unlike each other and that therefore Mr. Lawrence cannot resemble both. To be sure, nothing is more hateful than forced comparisons, nothing more boring than to discover parallels between one work of art and another. An artist's mastery consists in his difference from other masters. But to refer a young man of genius to an older one, at the same time pronouncing his independence and originality, is a fair, if not very superior, method of praising him.
1.The underlined word ''superfluous'' in paragraph 1 is closest in meaning to _______.
A.meaningful B.unnecessary
C.fundamental D.unbelievable
2.What does the author want to illustrate by including one paragraph from Sons and Lovers?
A.The plot of the novel has little to do with daily life.
B.It is wise to read Lawrence's books from the end.
C.Lawrence is capable of telling good stories.
D.The language in Lawrence's books is elegant.
3.Who were Hardy and Meredith?
A.They taught Lawrence literature when he was young.
B.They were the realistic novelists of Lawrence’s time.
C.They were novelists who resemble each other in writing.
D.They were novelists combining details with imagination.
4.What is the author's purpose in writing the passage?
A.To introduce Lawrence's novel Sons and Lovers.
B.To show his experiences of reading classics.
C.To analyze Lawrence's writing characteristics.
D.To compare the styles of different novelists.
高二英语阅读理解困难题
An introduction to this book is as superfluous as a candle in front of a powerful searchlight. But a convention of publishing seems to require that the candle should be there, and I am proud to be the one to hold it. About ten years ago I picked up from the pile of new books on my desk a copy of Sons and Lovers by a man of whom I had never heard, and I started to race through it with the immoral speed of the professional reviewer. But after a page or two I found myself reading, really reading. Here was—here is—a masterpiece in which every sentence counts, a book packed with significant thought and beautiful, arresting phrases, the work of a remarkable genius whose gifts are more richly various than those of any other young English novelist.
To appreciate the rich variety of Mr. Lawrence we must read his later novels and his volumes of poetry. But Sons and Lovers reveals the range of his power. Here are combined and blended(混合的) sort of ''realism'' and almost lyric(抒情的) imagery and rhythm. The speech of the people is that of daily life and the things that happen to them are normal adventures and accidents; they fall in love, marry, work, fail, succeed, and die. But of their deeper emotions and of the relations of these little human beings to the earth and to the stars, Mr. Lawrence makes something near to poetry and prose(散文) without violating its proper “other harmony.”
Take the marvellous paragraph on next to the last page of Sons and Lovers (Mr. Lawrence depends so little on plot in the ordinary sense of the word that it is perfectly fair to read the end of his book first):
Where was he? One tiny upright speck of flesh, less than an ear of wheat lost in the field. He could not bear it. On every side the immense dark silence seemed pressing him, so tiny a spark, into extinction, and yet, almost nothing, he could not be extinct. Night, in which everything was lost, went reaching out, beyond stars and sun, stars and sun, a few bright grains, went spinning round for terror, and holding each other in embrace, there in the darkness that outpassed them all, and left them tiny and daunted(气馁). So much, and himself, infinitesimal, at the core a nothingness, and yet not nothing.
Such glorious writing lifts the book far above a novel which is merely a story. I beg the reader to attend to every line of it and not to miss a single one of the many sentences that await and surprise you. Some are enthusiastic and impressive, like the paragraph above; others are keen, ''realistic'' observations of things and people. In one of his books Mr. Lawrence makes a character say, or think, that life is ''mixed''. That indicates his philosophy and his method. He blends the accurately literal and trivial(琐碎的) with the extremely poetic.
To find a similar blending of tiny daily detail and wide imaginative vision, we must go back to two older novelists, Hardy and Meredith. I do not mean that Mr. Lawrence derives(源于) immediately from them or, indeed, that he is clearly the disciple(弟子) of any master. I do feel simply that he is of the elder stature(名望) of Hardy and Meredith, and I know of no other young novelist who is quite worthy of their company. When I first tried to express this comparison, this connection, I was contradicted by a fellow-critic, who pointed out that Meredith and Hardy are entirely unlike each other and that therefore Mr. Lawrence cannot resemble both. To be sure, nothing is more hateful than forced comparisons, nothing more boring than to discover parallels between one work of art and another. An artist's mastery consists in his difference from other masters. But to refer a young man of genius to an older one, at the same time pronouncing his independence and originality, is a fair, if not very superior, method of praising him.
1.The underlined word ''superfluous'' in paragraph 1 is closest in meaning to _______.
A.meaningful B.unnecessary
C.fundamental D.unbelievable
2.What does the author want to illustrate by including one paragraph from Sons and Lovers?
A.The plot of the novel has little to do with daily life.
B.It is wise to read Lawrence's books from the end.
C.Lawrence is capable of telling good stories.
D.The language in Lawrence's books is elegant.
3.Who were Hardy and Meredith?
A.They taught Lawrence literature when he was young.
B.They were the realistic novelists of Lawrence’s time.
C.They were novelists who resemble each other in writing.
D.They were novelists combining details with imagination.
4.What is the author's purpose in writing the passage?
A.To introduce Lawrence's novel Sons and Lovers.
B.To show his experiences of reading classics.
C.To analyze Lawrence's writing characteristics.
D.To compare the styles of different novelists.
高二英语阅读理解困难题查看答案及解析
________ book of this writer is East and West.
A. Known to be the best B. Known as the best
C. As the best known D. It was the best known
高二英语单项填空困难题查看答案及解析
Harry Potter is such an interesting book _______all kids like to read.
A. as B. that C. / D. which
高二英语单项填空中等难度题查看答案及解析
Harry Potter is such an interesting book ________ all kids like to read.
A. as B. that C. / D. which
高二英语单项填空中等难度题查看答案及解析
Each contestant of the English Talent Competition is allowed 90 seconds to make an introduction to themselves ______.
A.in need | B.in addition | C.in advance | D.in brief |
高二英语单项填空简单题查看答案及解析
As far as I’m concerned, this book deserves ______ several times.
A.being read B.to read C.reading D.read
高二英语单项填空中等难度题查看答案及解析
Introduction to Letters to Sam
Dear Reader,
Please allow me to tell you something before you read this book. When my 21 , Sam, was born, my heart was filled with joy. I had been sitting in a wheelchair for 20 years before then, and I have been 22 ill many times. So I wondered if I would have the 23 to tell Sam what I had 24 .
For years I have been hosting a program on the 25 and writing articles for a magazine. Being 26 to move freely, I have learned to sit still and keep my heart 27 , exchanging thoughts with thousands of listeners and 28 . So when Sam was born, I 29 to tell him about school and friendship, romance and work, love and everything else. That’s how I started to write these 30 . I hope that Sam would 31 them sooner or later.
However, that expectation 32 when Sam showed signs of autism (自闭症) at the age of two. He had actually stopped talking before the discovery of the signs. He 33 to communicate with others, even the family members. That was 34 for me but didn’t stop me writing on. I realized that I had even 35 now to tell him. I wanted him to 36 what it means to be “different” from others, and learn how to fight against the misfortune he’ll 37 as I myself, his grandfather, did. I just 38 if I could write all that I wanted to say in the rest of my life.
Now, 39 the book has been published, I have been given the chance. Every chapter in the book is a letter to Sam: some about my life, and all about what it means to be a 40 .
Daniel Gottlieb
1.A. son B. nephew C. brother D. grandson
2. A. seriously B. mentally C. slightly D. quietly
3.A. ability B. time C. courage D. responsibility
4.A. written B. suffered C. observed D. lost
5.A. radio B. television C. stage D. bed
6.A. ready B. unable C. anxious D. eager
7.A. warm B. broken C. closed D. open
8.A. hosts B. visitors C. readers D. reporters
9. A. began B. stopped C. forgot D. decided
10.A. letters B. emails C. books D. diaries
11.A. find B. read C. collect D. keep
12.A. developed B. disappeared C. changed D. arrived
13.A. tried B. refused C. regretted D. hoped
14.A. exciting B. acceptable C. strange D. heartbreaking
15.A. less B. everything C. more D. nothing
16. A. understand B. explain C. believe D. question
17. A. fear B. face C. know D. cause
18. A. felt B. guessed C. saw D. doubted
19.A. as B. once C. though D. if
20.A. teacher B. child C. man D. writer
高二英语完型填空中等难度题查看答案及解析
The book you want is not ___now. I will let you know as soon as it is returned to the library.
A.useful | B.possible | C.available | D.practical |
高二英语单项填空中等难度题查看答案及解析
_____ is a fact that English is being accepted as an international language.
A. There B. This C. That D. It
高二英语单项填空简单题查看答案及解析
This book is said to be a special one, which __________many events not found in other history books.
A .writes B. refers C. deals D. covers
高二英语单项填空中等难度题查看答案及解析