The first drawings on walls appeared in caves thousands of years ago. Later the Ancient Romans and Greeks wrote their names and protest poems on buildings. Modern graffiti seems to have appeared in Philadelphia in the early 1960s, and by the late sixties it had reached New York. The new art form really took off in the 1970s, when people began writing their names, or “tags”, on buildings all over the city. In the mid-seventies it was sometimes hard to see out of a subway car window, because the trains were completely covered in spray paintings known as masterpieces.
In the early days, the “taggers” were part of street crowds who were concerned with marking their territory (领地). They worked in groups called “crews” and called what they did “writing”-the term “graffiti” was first used by The New York Times and the novelist Norman Mailer. Art galleries in New York began buying graffiti in the early seventies. But at the same time that it began to be regarded as an art form, John Lindsay, the then mayor of New York, declared the first war on graffiti. By the 1980s it became much harder to write on subway trains without being caught, and instead many of the more established graffiti artists began using roofs of buildings.
The debate over whether graffiti is art or deliberate damage is still going on. Peter Vallone, a New York city councilor, thinks that graffiti done with permission can be art, but if it is on someone else’s property it becomes a crime. “I have a message for the graffiti destroyers out there,” he said recently, “and your freedom of expression ends where my property begins.” On the other hand, Felix, a member of the Berlin-based group Reclaim Your City, says that artists are reclaiming cities for the public from advertisers, and that graffiti represents freedom and makes cities livelier.
For decades graffiti has been a springboard to international fame for a few. Jean-Michel Basquiat began spraying on the street in the 1970s before becoming a respected artist in the 80s. The Frenchman Blek le Rat and the British artist Banksy have achieved international fame by producing complex works with stencils (模板), often making political or humorous points. Works by Banksy have been sold for over £ 100,000. Graffiti is now sometimes big business.
1.Why was the seventies an important decade in the history of graffiti?
A. That was when modern graffiti first appeared.
B. That was when modern graffiti first became really popular.
C. That was when graffiti first reached New York.
D. That was when graffiti first appeared on subway car windows
2.What does the underlined word “taggers” in the second paragraph mean?
A. Names of people who graffitied.
B. Building where paints were sprayed.
C. People who marked surface with graffiti.
D. People who were interested in graffiti.
3.What can we know from the third paragraph?
A. New Yorkers think graffiti is art.
B. Graffiti was accepted by officials completely.
C. Buildings can be covered with graffiti freely.
D. There were once advertisements on city surface.
4.What is the author’s final opinion about graffiti?
A. Graffiti has now become mainstream and can benefit artists.
B. Graffiti is not a good way to become a respected artist.
C. Some popular graffiti artists end up being ignored by the art world.
D. Some graffiti caused inconvenience to the local environment.
高三英语阅读理解困难题
The first drawings on walls appeared in caves thousands of years ago. Later the Ancient Romans and Greeks wrote their names and protest poems on buildings. Modern graffiti seems to have appeared in Philadelphia in the early 1960s, and by the late sixties it had reached New York. The new art form really took off in the 1970s, when people began writing their names, or “tags”, on buildings all over the city. In the mid-seventies it was sometimes hard to see out of a subway car window, because the trains were completely covered in spray paintings known as masterpieces.
In the early days, the “taggers” were part of street crowds who were concerned with marking their territory(领地). They worked in groups called “crews” and called what they did “writing” — the term “graffiti” was first used by The New York Times and the novelist Norman Mailer. Art galleries in New York began buying graffiti in the early seventies. But at the same time that it began to be regarded as an art form, John Lindsay, the then mayor of New York, declared the first war on graffiti. By the 1980s it became much harder to write on subway trains without being caught, and instead many of the more established graffiti artists began using roofs of buildings.
The debate over whether graffiti is art or deliberate damage is still going on. Peter Vallone, a New York city councilor, thinks that graffiti done with permission can be art, but if it is on someone else’s property it becomes a crime. “I have a message for the graffiti destroyers out there,” he said recently, “and your freedom of expression ends where my property begins.” On the other hand, Felix, a member of the Berlin-based group Reclaim Your City, says that artists are reclaiming cities for the public from advertisers, and that graffiti represents freedom and makes cities livelier.
For decades graffiti has been a springboard to international fame for a few. Jean-Michel Basquiat began spraying on the street in the 1970s before becoming a respected artist in the 80s. The Frenchman Blek le Rat and the British artist Banksy have achieved international fame by producing complex works with stencils(模板), often making political or humorous points. Works by Banksy have been sold for over £ 100,000. Graffiti is now sometimes big business.
1.Why was the seventies an important decade in the history of graffiti?
A. That was when modern graffiti first became really popular.
B. That was when modern graffiti first appeared.
C. That was when graffiti first reached New York.
D. That was when graffiti first appeared on subway car windows
2.What does the underlined word “taggers” in the second paragraph mean?
A. Names of people who graffitied.
B. Building where paints were sprayed.
C. People who marked surface with graffiti.
D. People who were interested in graffiti.
3.What can we know from the third paragraph?
A. New Yorkers think graffiti is art.
B. Graffiti was accepted by officials completely.
C. Buildings can be covered with graffiti freely.
D. There were once advertisements on city surface.
4.What is the author’s final opinion about graffiti?
A. Graffiti has now become mainstream and can benefit artists.
B. Graffiti is not a good way to become a respected artist.
C. Some popular graffiti artists end up being ignored by the art world.
D. Some graffiti caused inconvenience to the local environment.
高三英语阅读理解困难题查看答案及解析
The first drawings on walls appeared in caves thousands of years ago. Later the Ancient Romans and Greeks wrote their names and protest poems on buildings. Modern graffiti seems to have appeared in Philadelphia in the early 1960s, and by the late sixties it had reached New York. The new art form really took off in the 1970s, when people began writing their names, or “tags”, on buildings all over the city. In the mid-seventies it was sometimes hard to see out of a subway car window, because the trains were completely covered in spray paintings known as masterpieces.
In the early days, the “taggers” were part of street crowds who were concerned with marking their territory (领地). They worked in groups called “crews” and called what they did “writing”-the term “graffiti” was first used by The New York Times and the novelist Norman Mailer. Art galleries in New York began buying graffiti in the early seventies. But at the same time that it began to be regarded as an art form, John Lindsay, the then mayor of New York, declared the first war on graffiti. By the 1980s it became much harder to write on subway trains without being caught, and instead many of the more established graffiti artists began using roofs of buildings.
The debate over whether graffiti is art or deliberate damage is still going on. Peter Vallone, a New York city councilor, thinks that graffiti done with permission can be art, but if it is on someone else’s property it becomes a crime. “I have a message for the graffiti destroyers out there,” he said recently, “and your freedom of expression ends where my property begins.” On the other hand, Felix, a member of the Berlin-based group Reclaim Your City, says that artists are reclaiming cities for the public from advertisers, and that graffiti represents freedom and makes cities livelier.
For decades graffiti has been a springboard to international fame for a few. Jean-Michel Basquiat began spraying on the street in the 1970s before becoming a respected artist in the 80s. The Frenchman Blek le Rat and the British artist Banksy have achieved international fame by producing complex works with stencils (模板), often making political or humorous points. Works by Banksy have been sold for over £ 100,000. Graffiti is now sometimes big business.
1.Why was the seventies an important decade in the history of graffiti?
A. That was when modern graffiti first appeared.
B. That was when modern graffiti first became really popular.
C. That was when graffiti first reached New York.
D. That was when graffiti first appeared on subway car windows
2.What does the underlined word “taggers” in the second paragraph mean?
A. Names of people who graffitied.
B. Building where paints were sprayed.
C. People who marked surface with graffiti.
D. People who were interested in graffiti.
3.What can we know from the third paragraph?
A. New Yorkers think graffiti is art.
B. Graffiti was accepted by officials completely.
C. Buildings can be covered with graffiti freely.
D. There were once advertisements on city surface.
4.What is the author’s final opinion about graffiti?
A. Graffiti has now become mainstream and can benefit artists.
B. Graffiti is not a good way to become a respected artist.
C. Some popular graffiti artists end up being ignored by the art world.
D. Some graffiti caused inconvenience to the local environment.
高三英语阅读理解困难题查看答案及解析
The ___ of Chairman Mao is hung on the wall.
A.draw | B.picture | C.portrait | D.photo |
高三英语单项填空中等难度题查看答案及解析
Michelle Obama is the first lady of American fashion, appearing on the cover of the March issue of Vogue.
Every first lady since Lou Hoover—except Bess Truman—has been appeared in the high-fashion magazine, but Mrs. Obama is only the second to appear on the cover. She appears wearing a silk dress by Jason Wu.
Vogue’s editor Andre Leon Tally recalled his interviews with Mrs. Obama ahead of US president Barack Obama’s swearing-in ceremony(就职典礼). “One of the best experiences of my life .” “She is so easily reached, natural and normal.” he said.
Mrs. Obama described her role as “Mom in chief” to 10-year-old Malia and 7-year-old Sasha. “I’m going to try to take them to school every morning, as much as I can,” she said. “But there’s also a measure of freedom. And clearly there will be time I won’t be able to drop them off at all. I like to appear in my kids’ school. I want to know the teachers; I want to know the other parents.”
Being in Vogue, though, the chat finally turns to clothes. “I’m not going to pretend that I don’t care about it,” she said. “But I also have to be very practical. Someone will always not like what you wear---people just have different tastes. ”
Most cover models have their clothes chosen for them by Vogue, or at least editors work as advisers. Not this time. “She doesn’t need any help. She loves fashion and knows what works for her,” Talley said. “She has never had a talk with me about, ‘What do you think?’ or ‘How does this like?’ And I’m glad for that.”
45. From the underlined sentence in Paragraph 2 we know____.
A. every first lady has appeared on the cover of Vogue
B. only Bess Truman has appeared on the cover of Vogue
C. only two first ladies have appeared on the cover of Vogue
D. only Mrs. Obama has appeared on the cover of Vogue
46. From the forth paragraph we know Mrs. Obama ____.
A. loves their daughters very much
B. likes to do housework very much
C. likes to do all for her husband
D. has nothing to do after daughters go to school
47. From the last paragraph we know Mrs. Obama ____.
A. is a woman of kindness
B. has her own sense of beauty and idea
C. herself is a clothes designer and model
D. doesn’t like to be watched changing clothes
48. Which of the following is the best title?
A. First ladies of Vogue Cover Model
B. First Lady Michelle Obama Read Vogue Too
C. First Ladies Like to be Vogue Cover Model
D. First Lady Michelle Obama Is Vogue Cover Model
高三英语阅读理解中等难度题查看答案及解析
Many _______ of years later, the first extremely small plants began to appear on the surface of the water.
A. millions B. million C. million of D. millions of
高三英语单项填空中等难度题查看答案及解析
阅读下面短文,在空白处填入 1个适当的单词或括号内单词的正确形式。
A cave painting on a small Indonesian island appears to be the earliest 1. (know) record of storytelling through pictures. A team of Indonesian and Australian researchers say the work 2. (date) back nearly 44,000 years. That is several thousand years 3. (old) than European examples of cave art that appear to tell a story.
The painting was seen in a stone cave on the island of Sulawesi in 2017. It shows eight human-like beings 4. (hunt) six animals. Among the animals are native species such as wild horses and pigs. The Indonesian cave painting also provides some of the earliest evidence of human spirituality, said Adam Brumm. He is an archaeologist at Australia's Griffith University,
5. carried out the research.
The Griffith researchers said cave art on Sulawesi was first discovered in the 1950s. At least 242 caves and shelters containing such images 6. (find) in the years since. The island was once named 7. Celebes Island. Some of the caves have seen damaged. This could 8. (threat) the art, said Oktaviana, 9. Indonesian expert on rock art. He added that, ''It would be a tragedy 10. these exceptional old artworks should disappear in our own lifetime, but it is happening. ''
高三英语语法填空中等难度题查看答案及解析
The “24 solar terms” originated and was firstly used in China. It was created thousands years ago on the basis of practical needs of agriculture. Ancient Chinese people used it to guide agriculture production, special climate signs and even healthy living tips. Last year, the 24 solar terms was added to UNESCO’s world intangible cultural heritage list. Now, it has been brought to life thanks to a creative designer from Southwest China’s Guizhou province.
On the eve of this year’s Qingming Festival, Shi Changhong released his version of re-produced and pack-aged characters for each solar term in the form of “moving art” of gifs. Since their initial release on Zcool on March 29, the gifs have won great acclaim among the general public and quickly engulfed social media with millions of hits during the festival period.
To maximize publicity, Shi released his work in three forms: video, animation and picture, while, the background sounds add to the brilliance.
“When I watch the short video, I can strongly feel the Chinese-style elements hidden in them. And it is really cool to rejuvenate Chinese traditional culture in such a unique way.” WeChat user Xiao Feifei said.
“It is really a comfort to me to see so many people like my latest work. To be honest, it would really surprise me if the work does not arouse a sensation among Chinese people. The 24 solar items is a deeply mooted concept that encapsulates the essence of Chinese wisdom. However, only a small portion of people know all the names or the correct order of those terms. My intention is to increase Chinese people’s self awareness to learn more about our traditional fine culture. Actually, the 24 solar items work is only a part of my whole design program ‘Charm China’, which I started over a year ago.” Shi told China Daily.
1.What do you think the underlined word “Zcool” refer to?
A. Website. B. Magazine.
C. Radio Broadcast. D. Newspaper.
2.What is the purpose of the passage?
A. To introduce a creative designer.
B. To introduce the origin of the 24 solar terms.
C. To introduce a design program “Charm China”.
D. To introduce the 24 solar items work.
3.Which of the following statement is true according to text?
A. The 24 solar items work designed by Shi Changhong was added to UNESCO’s heritage list.
B. The background sounds of the work make the video more attractive.
C. It really surprised Shi Changhong to see so many people like his latest work.
D. Most old people know all the names of the correct order of the 24 solar terms
4.Which part of the newspaper does the text probably belong to?
A. Travel. B. Culture.
C. Agriculture. D. Education.
高三英语阅读理解中等难度题查看答案及解析
阅读下面短文,在空白处填入1个适当的单词或括号内单词的正确形式。
Graffiti is writings, drawings or marks made on walls in public places. In most cases, it is often 1. mixture of writing and pictures, usually 2. (mark) with a tag, which is unique 3. an artist or a group. Graffiti is now popular all over the world.
Graffiti is believed to become popular in the United States in the 1960s. Young adults in cities like New York would use paint to spray their tag on walls.4., New Yorkers used to see graffiti as something 5. (disturb). Up to the 1970s, most people hated graffiti and painting graffiti was illegal and graffiti artists 6. (punish) by fines.
Later, the image of graffiti and graffiti artists changed a lot and graffiti was no longer only found in the subways or the poor areas of cities but also in the 7. (gallery) of Manhattan art world. In the late 1980s the popularity of hip-hop music helped to spread the culture of graffiti, first at home in the United States and then 8. (international).
Recently, graffiti 9. (gain) the reputation of “street art” and it has become a movement expressing the street culture of young people. You can even find graffiti in places 10. you least expect to see it-in advertisements, on clothes, on toys and even in newspapers.
高三英语语法填空中等难度题查看答案及解析
Most kids grow up learning they cannot draw on the walls. But it might be time to unlearn that training — this summer, a group of culture addicts, artists and community organizers are inviting New Yorkers to write all over the walls of an old house on Governor’s Island.
The project is called Writing On It All, and it’s a participatory writing project and artistic experiment that has happened on Governor’s Island every summer since 2013.
“Most of the participants are people who are just walking by or are on the island for other reasons, or they just kind of happen to be there,” Alexandra Chasin, artistic director of Writing On It All, tells Smithsonian.com.
The 2016 season runs through June 26 and features sessions facilitated by everyone from dancers to domestic workers. Each session has a theme, and participants are given a variety of materials and prompts and asked to cover surfaces with their thoughts and art. This year, the programs range from one that turns the house into a collaborative essay to one that explores the meaning of exile (流放).
Governor’s Island is a national historic landmark district long used for military purposes. Now known as “New York’s shared space for art and play,” the island, which lies between Manhattan and Brooklyn in Upper New York Bay, is closed to cars but open to summer tourists who flock for festivals, picnics, adventures, as well as these “legal graffiti (涂鸦)” sessions.
The notes and art scribbled (涂画) on the walls are an experiment in self-expression. So far, participants have ranged in age from 2 to 85. Though Chasin says the focus of the work is on the activity of writing, rather than the text that ends up getting written, some of the work that comes out of the sessions has stuck with her.
“One of the sessions that moved me the most was state violence on black women and black girls,” says Chasin, explaining that in one room, people wrote down the names of those killed because of it. “People do beautiful work and leave beautiful messages.”
1.What does the project Writing On It All invite people to do?
A.Unlearn their training in drawing.
B.Participate in a state graffiti show.
C.Cover the walls of an old house with graffiti.
D.Exhibit their artistic creations in an old house.
2.What did the project participants do during the 2016 season?
A.They were free to scribble on the walls whatever came to their mind.
B.They expressed their thoughts in graffiti on the theme of each session.
C.They learned the techniques of collaborative writing.
D.They were required to cooperate with other creators.
3.What kind of place is Governor’s Island?
A.It is a historic site that attracts tourists and artists.
B.It is an area now accessible only to tourist vehicles.
C.It is a place in Upper New York Bay formerly used for exiles.
D.It is an open area for tourists to enjoy themselves year round.
4.What does Chasin say about the project?
A.It just focused on the sufferings of black females.
B.It helped expand the influence of graffiti art.
C.It has started the career of many creative artists.
D.It has created some meaningful artistic works.
高三英语阅读理解中等难度题查看答案及解析
Thousands of puffins(海鹦) live in Maine and on islands in the Gulf of Maine. But the puffins may be in danger. Last summer, the percentage of laid eggs that successfully produced baby puffins took a dive. Scientists also found a decline in the average body weight of the adult and baby puffins on Machias Seal Island, home to the area’s largest colony. Over the winter, dozens of the seabirds from the region were found dead, likely from starvation.
What’s causing the puffin trouble? Scientists think it may be a shortage of food. With ocean temperatures rising, fish populations have moved around. Normally, puffins’ primary food source is herring, a type of fish. A lack of herring in the area could be causing the problem.
Butterfish from the south have become more abundant in the Gulf of Maine and could be a new food source for birds. But Steve Kress says butterfish may be too big and round for baby puffins to swallow.
Puffins spend most of their lives at sea. They come ashore to breed each spring and return to the ocean in August. The chicks swim to sea about 40 days after hatching. Puffin populations stretch across the North Atlantic, from Maine to northern Russia.
Maine’s puffin population has been at risk in the past. In the 1800s, they were hunted for their food, eggs and feathers. By 1901, only one pair of puffins remained in the state. Thanks to the help of local lighthouse keepers and seabird restoration programs, the state’s puffin population has been restored to more than 2,000 birds.
Scientists aren’t sure what will happen to the Gulf of Maine’s puffins. The birds may move further north. Kress says he hopes the Gulf population will sustain itself and then he continued. “You never know what climate change will bring,” Kress said. “Historically fish could move out and more southerly fish could move in, and puffins may adapt to the new fish. Only they will know how the story will unfold.”
1.The underlined phrase “took a dive” means _______.
A. increased B. arose C. reduced D. changed
2.In the scientists’ opinion, ________ is contributing to the puffin trouble.
A. a lack of herring B. environmental pollution
C. the increase of birds D. the huge size of butterfish
3.It can be inferred from the passage that _______.
A. Maine’s puffin once nearly became extinct
B. Maine’s puffins’ eggs were of high prices
C. baby puffins grew up quickly
D. the number of Maine’s puffins is worrying
4.Judging from Kress’s words in the last paragraph, we know ________.
A. climate change matters little
B. there is cause for concern
C. the new fish won’t harm puffins
D. puffins may move to the south
5.How is the second paragraph mainly developed?
A. By giving examples. B. By making comparisons.
C. By following time order. D. By asking questions
高三英语阅读理解中等难度题查看答案及解析