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“Free Solo” is a documentary beautifully calculated to literally take your breath away. And it does. The film’s subject, Alex Honnold, is the top-ranking climber of free soloing, the art of climbing dizzyingly steep rock faces with no ropes, no harnesses (安全带), just bare hands and dazzling determination and skill. “There’s no margin for error; you have to do it perfectly,” one climber explains, comparing the endeavor to an Olympic sport where “if you don’t get the gold medal you are going to die.”

“Free Solo” opens with a striking overhead shot, almost too exciting to watch, of Honnold at work, his hands finding narrow gaps that don’t seem to exist, pulling off seeing — is — not — believing moves that are more astonishing than the most ambitious special effect.

Directed by Elizabeth Chai Vasarhelyi and Jimmy Chin, “Free Solo” lets us in on how much went into the climb on a physical, psychological and emotional level, showing us how meticulously (细致地) even the tiniest move is planned. Vasarhelyi and Chin are the ideal people to tell this story, and not only because they’ve already done another superb mountaineering film, 2015’s “Meru”, which was short-listed for the best documentary Oscar. Chin has been an accomplished climber as well as a photographer and filmmaker, so he’s known Honnold for years and has the kind of friendship with the climber that makes the film possible.

Chin insisted his entire crew, including fellow cinematographers Clair Popkin and Mikey Schaefer, be experienced climbers, and one of the film’s most dramatic aspects is how nervous these extremely knowledgeable folks were about Honnold’s safety. The directors and crew worried that their presence might put too much pressure on Honnold or might lead to acts of what Chin characterizes as “Kodak courage”. More than that, no one wanted to be there shooting film if he made a mistake and died.

A perfectionist since Honnold was a boy, he found his gift for free solo early. One possible reason why Honnold is so good at it, which doctors hypothesized after giving him an MRI, is that his amygdala, the part of the brain that regulates fear, doesn’t react the way it does in most people. Though we inevitably worry about Honnold’ future safety, we’ve come to understand why his mother, Dierdre Wolownick, says that “climbing is when he feels the most alive. How can you take that away from somebody?” Seeing him at the peak of his skill on the biggest screen possible is an experience for everybody to savor (尽情享受).

1.What does it take to free solo?

A.Gift and good fortune.

B.Knowledge and experience.

C.Strength, determination and skill.

D.Ropes, harnesses, a photographer and a filmmaker.

2.Why are Vasarhelyi and Chin the ideal people to tell this story?

A.They’ve ever shot a superb mountaineering documentary.

B.They have rich experience and companionship with Honnold.

C.They were accomplished climbers, photographers and filmmakers.

D.They are physically, psychologically and emotionally well prepared.

3.Which of the following best describes Honnold as a climber?

A.Wild and daring.

B.Gifted and vain.

C.Demanding and particular.

D.Talented and perfectionistic.

4.What is the fourth paragraph mainly about?

A.“Kodak courage” is highly expected.

B.Too much pressure was put on Honnold.

C.Chin and his crew cared much about Honnold’s safety.

D.Chin took on knowledgeable folks to shoot the documentary.

高三英语阅读理解中等难度题

少年,再来一题如何?
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