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Maths and Music

An excellent way to kill a conversation is to say you are a mathematician. Tell others you are also a musician, however, and they will be hooked. Although there are obvious similarities between mathematical and musical activity, there is no direct evidence for the kind of magical connection many people seem to believe in.

I’m partly referring here to the “Mozart effect”, where children who have been played Mozart compositions are supposedly more intelligent, including at maths, than other children. It is not hard to see why such a theory would be popular: we would all like to become better at maths without putting in any effort. But the conclusions of the experiment that expressed the belief in the Mozart effect were much more modest. If you want your brain to work better, you clearly have to put in hard work. As for learning to play the piano, it also takes effort.

Surely a connection is quite reasonable. Both maths and music deal with abstract structures, so if you become good at one, then it is likely that you become good at something more general that helps you with the other. If this is correct, it would show a connection between mathematical and musical ability. It would be more like the connection between abilities at football and tennis. To become better at one, you need to improve your fitness and coordination (协调). That makes you better at sport and probably helps with the other.

Abstract structures don’t exist only in maths and music. If you learn a language then you need to understand its abstract structures like grammar. Yet we don’t hear people asking about a connection between mathematical and linguistic (语言的) ability. Maybe this is because grammar feels mathematical, so it wouldn’t be surprising that mathematicians were better at learning grammar. Music, however, is strongly tied up with feelings and can be enjoyed even by people who know little about it. As such, it seems different from maths, so there wouldn’t be any connection between the two.

Let’s see how we solve problems of the “A is to B as C is to D” kind. These appear in intelligence tests but they are also central to both music and maths. Consider the opening of Mozart’s Eine Kleine Nachtmusik (小夜曲). The second phrase is a clear answer to the first. The listener thinks: “The first phrase goes upward and uses the notes of a G major chord (和弦); what would be the corresponding phrase that goes downward and uses the notes of a D7?” Music is full of puzzles like this. If you are good at them, expectations will constantly be set up in your mind. The best moments surprise you by being unexpected, but we need the expectations in the first place.

1.What does the author say about “Mozart effect”?

A. The goal of it was not carefully thought about.

B. The interest people showed in it was unexpected.

C. The way it was carried out proved to be ineffective.

D. The findings from it gave people wrong information.

2.The author mentioned football and tennis in Paragraph 3 to show that ______.

A. music and maths have something in common

B. football and tennis are played in a similar way

C. certain skills may be developed through practice

D. abstract structures bring benefits to various fields

3.We can infer from Paragraph 4 that ______.

A. language is less attractive to learners

B. mathematicians are good at music learning

C. language seems more like maths than music does

D. the structure of language is easier to learn than that of music

4.What is the writer’s main purpose in the last paragraph?

A. To prove how music finally differs from maths.

B. To describe the mathematical processes musicians may have.

C. To show how abstract thinking applies to both music and maths.

D. To explain why Mozart is so highly considered by mathematicians.

高三英语阅读理解中等难度题

少年,再来一题如何?
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